Sunday, February 28, 2016

Divided or United? by LTBC Poet laureate, Prof. Keith Gilbert


Our Nation of some 325 Million
are deeply divided on many issues …
So, are we still a United States?

Our Nation is a curious quilt … indeed,
An amalgam of multiply-cultured
Colored threads … interwoven into a
Sinewy, random pattern…

Our Quilt is so spectrally & spiritually
In-homogeneous as to defy description …but
Note:  our quilt has a triad of Unique Properties

                Our tightly-woven fabric is super strong,
                Yielding warmth & security to its People …
                Yet our Quilt is replete with wrinkles …
                                - Prodigious power & wealth of the 1%
                                - Ubiquitous drugs & crime
                                - unabated conflicts with far-flung “enemies,” etc

             But note … an obvious foible in our Quilt is
             A gaping hole at its center – indeed,
             Our beautiful Quilt is so polarized that
             It has no center!

So, pray tell, what elixirs bend our Quilt?
Again, we enjoy three powerful epoxies …
Faith, Freedom, & Hope …

1)       Our Nation is one of Formidable Faith …
   A Superior Being provides a Radiant Laser
   To guide & nurture us
2)      Our Constitution ensures enduring Freedoms,
   Including Speech, Religion, Press, Petition, and
   The Right to Bear Arms
3)      Our Faith & Liberties Engender Hope …
  Belief in a Chance to Live a good Life
  And seek a better one

So this is why our Unique Quilt unites us
even without a Center
due to Extreme Political Polarization

Yet the Tenacious trio of Goods -
Our Faith & Indelible Freedoms engender
Patriotism and enable Hope.

Though our Nation will continue to debate
Much, the enduring Health and Strength of our
Uniquely-woven Quilt assures we
Will forever remain United.


-          K. Gilbert, Jan 2016

The Longest Road by Philip Caputo

Eleven road scholars arrived at the northern end of Dalton Road and took up residence at the Aurora Hotel, the only 4-star in Deadhorse.  They ate everything on the large banquet table, and then trucked on to examine WHAT (What Holds America Together):

Jack:  I enjoyed it primarily because it reminded me of our family’s Road Adventures – it inspired me to press on.  Not a classic, but a lot of fun.  B+

Dick J:  Same grade; the author writes well, but did not follow through on his stated purpose.  My mind wanders as he writes – where will he go next?  The best part was what was perhaps made up:  the conflict in Anacortes.  B+

Rob E:  I liked it a lot.  I especially enjoy the Great Plains more than the Rockies.  It makes me want to go back and drive them again.  I like the travel books:  Blue Highways (traveling on the back roads) is very good.  There was some expose not too long ago that a good portion of Travels With Charlie was made up.  But the story of the black kid walking through a white school and receiving all the taunts hit me strong.  I liked the stories; the author was cynically looking for angry people. I give it an A- for memories.

Dick Arms:  First, that is an interesting concept:  what holds America together?  The author came across as very negative – not the same politics as mine.  His writing was passable, not great.  I presented this idea at Toastmasters, and got better ideas.  America is unique – a unique political system or a belief system – and a Constitution.  Caputo didn’t hit on that idea.  B-  Just a travel book.

Bob Woods:  To begin with, I don’t like driving long distances.  The book is harmless enough.  “What Holds America Together’ is just an excuse.  B+

Mike:  Why do we read?  I think to learn, and to entertain ourselves.  This book had both.  I enjoyed what the author had to teach about places, cultures, people.  I was entertained by the on-going post 9-11 street corner in Anacortes, WA.  Does an excellent job of his descriptions, always something new.  A

Charlie:  This guy is any writer, who took a vacation, wrote about it – didn’t get his goal, lightweight:  C

Ken G:  I found it often tedious and boring, other times interesting and humorous.  Not any profound conclusion as to WHAT.  B-

Bob S:  I have the same feeling about the premise:  he didn’t analyze why America holds together.  The other part I didn’t care for:  Kit Carson was an active participant in history; Jack Kerouac was an active participant in our Culture – he defined the beat generation and the hippie generation.  It’s true, this was a charming book, well written.  I didn’t find it illuminating.  It did not have gravitas or significance.  B 

Keith:  I already mentioned that the author failed his mission.  C  Here is mine:


Ron Bousek:  There was a lack of summary but he reported what he found.  I liked the road trip with some history along the way.  What holds the country together (as defined by Erika at the end) was Hope – hope that things that are bad will get better.  The writing was not first rate.  A-

... and here is what the author said about his own book:  
I think you’ll find The Longest Road very different from A Rumor of War. It’s a semi-serious, semi-light-hearted travelogue. It doesn’t provide an answer to the question, What holds this vast, diverse country together. But it presents the thoughts that the people I met along the way have on that issue. 

Friday, January 22, 2016

Bemerkungen: All The Light We Cannot See

What are the defining moments in our lives?  Nine revenants from the once-proud collection of USA war (and pre-war) babies gathered at the Private Rosch Memorial to discuss WW II, WW I, and 2014.  Is it not true that The Great Depression and World War II were the defining events for our parents' lives, and thus directly molded our lives?  What was to like, what was not to like about Anthony Doerr’s tome of young Werner and younger Marie-Laure?  Why do we read?  The revenants spoke their peace:

Charlie:  I really enjoyed the book, and give it an A.  The characters were well developed.  I read it slowly, so as not to miss any of the beauty.  Not as long as the page count indicates, with big print, lots of white space.

Mike:  Why do we read?  I think we read:  1) to learn, and 2) to entertain ourselves.  Both of those objectives are admittedly subjective, but I found that this book worked well for me on both those levels.  Yes, there was some plot contrivance, and yes, some was predictable (didn’t you just know that Sgt Major Rumpel was going to die from his cancer the moment he achieved the Sea of Flames?), but hey, a good A book.  I loved the way Werner was ‘discovered’ for his radio repair talents – makes me think of how many geniuses have been born and died without having come to the forefront of human achievement. 

Ron Bousek:   Let me read to you from the last chapter [2014]:  old people, young people (page 529).  The grandson’s games on the computer, his moped.  The electromagnetic waves are indeed within the light we cannot see.  I give it an A.  Well written, I liked the short chapters.

Bob Woods:  I would give it an A.  Unusual book, interesting job of organizing.  Sympathetic characters.  Up until the 50s or early 60s, ham radio enthusiasts would create their own equipment.  The author understood about radio and electronics.  Refreshing – A

Ken Gillen:  I thought it was a well written book – interesting story line, interesting characters.  Some frustration with the back and forth (to and from August 8, 1944), but overall A

Rob E:  I violated my own rules:  I read the blurbs on the back before reading the book.  I read it mostly this week, mostly in the last 48 hours, somewhat superficially.  I got wrapped up in it and enjoyed it.  I didn’t mind the jumping around.  Still hurrying to read late this afternoon.  I liked it a lot – creative.  It justifies the blurbs on the back cover.  I’ll go along with the group:  A

Dick Arms:  Sounds like we’re all on the same page [529].  I had no trouble with the jumping around.  I was impressed with the writing.  The descriptions were tremendous, and the way he got into the young girl’s mind.  This young author [42] is going places.  I like the short chapters which read as vignettes.  Skillfully done:  A

Keith:  I didn’t get a copy of the book.  I’m looking into the paranormal and magnetic therapy.  I’ve made some headbands that help me sleep.  Charlie will tell you we have a pineal gland in our brain that produces the melatonin to help us sleep, and the magnetic fields may affect this.  After being besieged by about 25 beautiful women, I’m creating more of these headbands.

Dick Jensen:  I read this book when it first came out, and read it again last week.  I loved it the first time, and equally the second.  A great story, characters.  I give it an A or A+.  The dessert is from the Swiss Alps Bakery on San Pedro at Candelaria.

... and from well outside of Saint-Malo:


Dear Dick,

I am so sorry I won't be able to join the discussion of your book choice next week.  It should be a fascinating discussion of a haunting story.  I am in Southeast Asia and will be in Da Nang on Thursday probably looking for what was once known as China Beach. 

I found ALL THE LIGHT WE CANNOT SEE very engaging and one of the best books we have read in a long time.  The novel reflected an exceptional depth of knowledge of place, time and human nature.  I was taken in by the strength of Marie-Laure's character just as her great-uncle Etienne was and wondered about my own moral strength when reading about how Werner struggled when he faced his dilemmas.  Doerr’s ability as a writer is exceptional.  He is a true craftsman in the way he uses the language.  I found his descriptions of places and people and his metaphors and analogies very powerful.  I thoroughly enjoyed it and will recommend it highly to my friends.  A
Warm regards,

Jack


Dear Dick:
I will again find myself drinking wine instead in Taos instead of engaging in stimulating conversation with you on Thursday.
I enjoyed the book very much after I got used to the tennis match swings of the plot organization.  I liked the poetics of Doerr as well as his insight into human nature. Rather like "How Green was My Valley" in feel, temperament, and poetic quality,
Unfortunately, the plot dealt with coming of age as a Nazi rather than in the Welsh coal fields, so not my favorite era.  I don't need to be reminded of how brutishly cruel the Nazis were.  I have been told and seen enough stories to fill a hundred books of horror stories.
I also realized that there was some method to in the initially maddening plot shifts from one character to another and one location to another location.  Sort of like a Shakespeare play on steroids with an ending like Thomas Hardy's, where all the plot lines merge into a glorious finish.
I give it an A-.
Cheers,
Bob

Related source material highly recommended by members:
Inline image 1  The German War:  A Nation Under Arms by Nicholas Stargardt (704 pages, of which the last 50 or so consists of bibliography and index; includes many maps).  $21.60 hardcopy, $19.25 for Kindle.
Inline image 3Stalingrad: The Fateful Siege 1942-1943 by Antony Beevor;(1999; 528 pages). $15.26 paperback, $16.99 Kindle 
Führer & The Fog by Poetlaureate, Last Thursday Book Club.  Epic poem (2001; 1 page).  Members can read for free here.


Wednesday, January 13, 2016

Struktur: All The Light We Cannot See


The brain is locked in total darkness of course, children, says the voice. It floats in a clear liquid inside the skull, never in the light. And yet the world it constructs in the mind is full of light. It brims with color and movement. So how, children, does the brain, which lives without a spark of light, build for us a world full of light?

"Fragen Sie nicht, was die Struktur für den Einzelnen tun kann. Fragen Sie, was der Einzelne für die Jungenschaft." - Chapterman, 8 August 1939


                        Aufbau des Buches:
Zero – 7 August 1944
Leaflets (0.3 pages)
Bombers (0.5 pages)
The Girl  (1.5 pages)
The Boy (2.1 pages)
Saint-Malo  (1.6 pages)
Number 4 rue Vauborel (1.2 pages)
Cellar  (1.7 pages)
Bombs Away (1 page)

One – 1934
Museum National d’Histoire Naturelle (4.5 pages)
Zolverein (3 pages)
Key Pound (4.3 pages)
Radio  (2.1 pages – Werner)
Take Us Home (2.1 pages – Marie-Laure)
Something Rising (2 pages – Werner)
page 40:  Light (2 pages – Marie-Laure)
One Flag Flutters Before Us  (2 pages – Werner)
Around The World in Eighty Days (2.7 pages – Marie)
The Professor  (2.1 pages – Werner)
page 50:  Sea of Flames (3 pages – Marie)
Open Your Eyes  (1.4 pages – Werner)
page 55:  Fade (1.4 pages – Marie-Laure)
The Principles of Mechanics  (2 pages – Werner)
page 59:  Rumors (2.1 pages – Marie-Laure)
Bigger Faster Brighter  (2.5 pages – Werner – State Youth)
page 65:  Mark of the Beast (1.8 pages – Marie-Laure – Nov 1939)
***page 67:  (untitled letter to the professor)  (1 page – Werner; letter by Jutta)
page 68:  Good evening.  Or Heil Hitler if You Prefer(1.4 pages – Werner)
page 70:  Bye-bye, Blind Girl (2.5 pages – Marie-Laure)
Making Socks(1.1 pages – Werner)
page 75:  Flight (4.2 pages – Marie-Laure – hoping for a train)
Herr Seidler (7 pages – Werner)
page 87:  Exodus (4.2 pages – Marie-Laure)

Two – 8 August 1944
Page 95:  Saint-Malo  (1 page)
Number 4 rue Vauborel (1.2 pages)
Hotel of Bees  (1.4 pages - Werner)
Down Six Flights (1.7 pages - Marie-Laure)
Trapped (1.6 pages – Werner)

Three – June 1940
Page 107:  Chateau  (4.6 pages)
Entrance Exam (4.6 pages – Werner)
Brittany  (2.1 pages - Marie-Laure)
* Madame Manec  (2.3 pages - Marie-Laure)
You Have Been Called (2.8 pages – Werner)
Occuper  (4.8 pages - Marie-Laure)
Don’t Tell Lies (3 pages – Werner)
Etienne  (2.4 pages - Marie-Laure)
Jungmanner (3.5 pages – Werner)
**Vienna  (2.5 pages – von Rumpel)
The Boches (3.1 pages – Marie-Laure)
Hauptmann (1.6 pages – Werner)
Flying Couch (2 pages – Marie-Laure)
The Sum of Angles (3.8 pages – Werner)
The Professor (5.3 pages – Marie-Laure)
Page 162:  (untitled, censored letters to Jutta)  (2 pages – Werner)
Perfumer (2 pages – Big Claude [Marie-Laure])
Time of the Ostriches (1.7 pages – Big Claude [Marie-Laure])
Weakest (2.1 pages – Werner)
Mandatory Surrender (1.4 pages – Marie-Laure)
**Museum (7.1 pages – von Rumpel)
The Wardrobe (2 pages – Marie-Laure)
Page 183:  Blackbirds (2.5 pages – Werner)
Page 186:  (untitled, duplicate of telephoned telegram)  (1 pages – Marie-Laure)

Bath  (3.5 pages – Marie-Laure)
Weakest (#2) (4.8 pages – Werner)
page 196:  The Arrest of the Locksmith (1.8 pages – Marie-Laure)

Four – 8 August 1944
**Page 201:  The Fort of La Cite  (2.5 pages – von Rumpel)
Atelier de Reparation (1.5 pages – Werner)
Two Cans (1.8 pages – Marie-Laure)
**Page 208:  Number 4 rue Vauborel (1.4 pages – von Rumpel)
What They Have (1.9 pages – Werner)
Trip Wire (1.2 pages – Marie-Laure)

Five – January 1941
Page 217:  January Recess  (7.2 pages – Werner)
He Is Not Coming Back (1.8 pages – Marie-Laure)
Page 227:  Prisoner (2.7 pages – Werner)
Plage du Mole (3.2 pages – Marie-Laure)
**Page 234:  Lapidary (2.3 pages – von Rumpel)
Page 237:  (untitled, uncensored letter from Papa to Marie-Laure)  (1 page)
Entropy (2.3 pages – Werner)
The Rounds (3 pages – Marie-Laure)
Nadel im Heuhaufen (3.5 pages – Werner)
Proposal
You Have Other Friends
Old Ladies Resistance Club
Diagnosis
Weakest (#3)
(letter from Papa, untitled)
Grotto
Intoxicated
The Blade and the Whelk
(untitled letter from Jutta to Werner)
Alive Before You Die
No Out
The Disappearance of Harold Bazin
Everything Poisoned
Visitors
(heavily censored, untitled letter from Werner to Jutta)
The Frog Cooks
Orders
Pneumonia
Page 289: (letter to Marie-Laure from Papa)
Treatments
Heaven
Frederick
Relapse

Six – 8 August 1944
**Page 303:  Someone In The House
The Death of Walter Bernd
Sixth-floor Bedroom
Making the Radio
In The Attic

Seven – August 1942
Page 317:  Prisoners
The Wardrobe
East
One Ordinary Loaf
Volkheimer
Fall
Sunflower
Stones
Grotto
The Messages
Loudenvielle
Gray
Fever
The Third Stone
The Bridge
Rue des Patriarches
White City
Page 372:  Telegram

Eight – 9 August 1944
Page 375:  Fort National
In The Attic
The Heads



Nine – May 1944
Page 397:  Edge of the World
Numbers
May
Hunting (Again)
...
The Arrest of Etienne LeBlanc
Page 432:  7 August 1944
Leaflets

Ten – 12 August 1944
Entombed
Page 443:  Fort National
Captain Nemo's Last Words
Visitor
Final Sentence
Music #1
Music #2
Music #3
Out
Page 461:  Wardrobe
Comrades
The Simultaneity of Instants
Are You There?
The Second Can
Birds of America
Cease-fire
Chocolate
Light

Eleven –  1945
Berlin
Page 492:  Paris

Twelve –  1974

Volkheimer
Page 500:  Jutta
Duffel
Saint-Malo
Laboratory
Visitor
Paper Airplane
The Key
Sea of Flames
Frederick

Thirteen –  2014
Page 527:  (untitled)  She lives to see the century turn.  She lives still.



Friday, December 18, 2015

Mayflower: Courage, Community, and War


  Ten little Indians came together in early 21st Century America to discuss Nathaniel Philbrick’s portrait of our country's birthing in the 17th Century:   “There are two possible responses to a world suddenly gripped by terror and contention. There is the Moseley way: get mad and get even. But as the course of King Philip's War proved, unbridled arrogance and fear only feed the flames of violence. Then there is the (Benjamin) Church way. Instead of killing him, try to bring him around to your way of thinking. First and foremost, treat him like a human being. For Church, success in war was about coercion rather than slaughter, and in this he anticipated the welcoming, transformative beast that eventually became, once the Declaration of Independence and the Constitution were in place, the United States.”


Kenny G:  This book had pluses and minuses.  On the plus side, this was an extremely interesting book from an historical view.  This was history I either forgot, or never learned.  The maps were good, not great.  Minuses:  too many tribes, skirmishes, war.  B or B+

Ron B:  I read the first part, as our host instructed.  An interesting book, well written, covered some very interesting history.  A-

Dick Arms:  I found it extremely interesting.  For two years, I lived in this area, looking down on Fall River, all the places in the book.  Great research, the author wrote it well, nicely done.  He could have written two books:  one on Plymouth, and one on King Phillips War.  Good read, went on too long.  A-

Tommy G:  Good history, great deal of research, adequate writing.  I enjoyed the first part and the last part.  55 years before the war was not very interesting.  B+

Dick Jensen:  I enjoyed it a lot, learned a lot.  A-

Keith:  I saw it as revisionist history.  The title is mis-leading as most of the book occurred on land, not on the Mayflower.  One has to read between the lines for the lives of the Pilgrims, and between non-existent lines for the Indians.  I read it as a form like this:  What is the value of history?  Here there were too many facts presented.  The Pilgrims showed up on a wooden ship, prostelize the Indians if they could, killed them if they couldn’t.  The Praying Indians were spies.  Today, through oil companies such as Exxon, Dow Chemical, we are the same way:  Religion is no longer in the mainstream, but money is.  This is a cynical view, but I don’t care.  When the author ran out of facts, he kept on talking.  This would have been a good 200 page book.   B- 

Bob Simon:  I thought that there is so much history, consolidated into grandular portions.  Fascinating for the most part:  people seeking to escape religious freedom, when confronted with survival, became animalistic.  Not unlike [William Golding’s] Lord of the Flies.  The Thanksgiving myth we grew up with was really a story of survival.  If you can’t beat them, subvert them.  A cruel strategy.  I enjoyed the documents presented, e.g., you can read the Mayflower Compact.  Fascinating how they erected this confederacy.  They exploited the Indians.  A-

Rob E:  I thought it should be two books, Mayflower and King Phillips War.  The book was good for me because of the gap between the Mayflower and the first settlers, and 1776.  But too much for this one book.  Philbrick handled Bradford differently from the National Geographic version (Saints & Stringers).  Two civilizations clash, people die.  I was unprepared for the sachem’s head on a pole.  The first part I read, the second part I skimmed, as it was not compelling, to figure out:  B

Jack Ferrell:  There was a line from a song on the radio I heard on the way over tonight that best describes the book:  too little chocolate, too many chores.”  The chocolate was when it talked about “my town” – the chores was the timeline of history.  I found it difficult keeping up with the chores.  B+

Mike: I feel that I learned a great deal from this book.   Were there too many facts, too many Indian names and place names?  Perhaps, but unlike a fiction book, I think I will remember some of these real characters from our nation’s earliest days:   Massasoit, the wise sachem of the Pokanokets; Benjamin Church, the 33-year old carpenter who found he loved the military skirmishes, relished recruiting his own men to include Indian warriors.  And John Howland, the servant who came up to get some fresh air and almost lost his life because of it, yet went on to represent the true American dream:  Servant rises beyond his status to success in the New World.  A-







Friday, November 20, 2015

Up Front by Bill Mauldin

Up Front by Bill Mauldin

Nine dogfaces gathered in the enlisted men’s latrine to discuss WW II, POWs and aircraft crashes on American soil, and what Ernie Pyle called “the finest cartoonist the war had produced.”  Bill Mauldin’s work provided insight into “the tiny percentage of our vast Army who are actually doing the dying.”  The doggies grunted as follows:

Charlie:  It was a wonderful book.  It got me to thinking, how good was it without the cartoons – and I think it was still good.  The book gave me insight into what the poor guy in the infantry was thinking.   Very sympathetic, well written.  A

Mike:  This book gave me the feeling that a publisher came to Bill Mauldin and said, “Hey, you have some great cartoons, and we’d like to publish a collection of them.  Why don’t you write a paragraph or two about each one?”  Not a book for a book club, nor would I recommend it other than as a collection of Mauldin’s cartoons.  However, he did capture some of his defense of the dogface.  C+

Ron B:  I agree but for a higher grade. Stephen Ambrose was a better writer of the war experience, true.  But I found something compelling in Mauldin’s text.  I appreciated his insights, e.g., French vs Italiano.  He was not cynical in his views like Tony Hillerman (in his autobiography).  I was touched by the ending story:  the medics wounded, one dying.  He put a human face on the war.  I found it engaging.  A

Kenny G:  I agree with Mike and Rob.  It wasn’t great literature.  This is the first book we’ve read with cartoons.  This put me in the trenches with the foot soldier.  It made me pull out my WW II books, and made them more interesting.  B+

Bob Woods:  I give it an A.  Historically interesting.  I wish one of Caesar’s legionaries had written something like this – wouldn’t that have provided a great perspective.  The cartoons were fascinating, but I found it very interesting why he chose to draw that subject.  

Keith:  The US has issued a Bill Mauldin stamp featuring Willie and Joe.  For a prize, when was it issued, where was the First Day of issue, and what was the rate on the stamp?  (answer after the poem).
The Dog Face Soldier Song

I wouldn’t give a bean
 
To be a fancy pants Marine
 
I’d rather be a
 
Dog face soldier like I am



I wouldn’t trade my old ODs
For all the Navy’s dungarees
 
For I’m the walking pride
 
Of Uncle Sam.



On Army posters that I read
 
It says “Be All That You Can”
 
So they’re tearing me down
 
To build me over again



I’m just a dog face soldier
With a rifle on my shoulder
 
And I eat raw meat
 
For breakfast e’v’ry day

So feed me ammunition
 
Keep me in the Third Division

Your Dog Face Soldier’s A-Okay!



[This song is still sung every morning by the Third Division.  See here and especially here and elsewhere on YouTube and Wikipedia.]  [answer to quiz:  31 March 2010, Santa Fe NM, 44 cents]

Tom G:  I liked the writing and the point of view better than the cartoons.  The insight on the GIs was powerful, the cartoons to me were not humorous.  Ron’s word excellent:  I was engaged from the first several pages.  I came away with a strong sense of mud.  A lot of the war was just sitting around in very uncomfortable venues.  A-

Dick J:  As I said during our earlier discussion, I read this book as a child many times, and thus I wondered what my feelings would be reading it this time, as an adult.  The cartoons were still wonderful.  A-

Bob Simon:  I liked it also.  A-  An interesting expression of his experiences.  Next year we will be reading Kit Carson’s autobiography, as my Univ of Texas professor impressed on us the importance of primary source history.  This book provided a direct experience of what it was like to be in the war.  As a direct expression of his experience is why I chose it.  We will be dealing with direct experience for the next two years, with Jack Kerouac’s Dharma Bums (in 2017).
… and from well outside the combat zone …
It's very impressive what Mauldin did, via his cartooning, in WWII.  Give him A+ for that.  To me, though, the book got a bit tedious, repetitive as it went along.  I didn't finish it, even though I took it on my recent  road trip.  My grade:  B

Cartoons that particularly got my attention:

p. 59 - one of many cartoons demonstrating soldier-comradeship.  Every time I see WWII vet reunions on TV, it's so obvious and heart-warming how much the remaining few love each other.  In a different era, my cousin, Ross, is an example.  He was a Navy pilot in Vietnam, got shot down, was quickly helicopter-rescued.  He and his band of brothers get together annually.  When I see Ross, he loves to talk about these reunions, show me photos, videos, ...  He tears up, I tear up.

p. 13 - This one brings to mind the helmet-penetrability project I was on a couple of years ago. That soldier must have had a heck of a helmet liner - or skull.   It also illustrates a recurring theme for Mauldin about the disconnect between the foot soldiers and the brass above them.  Hillerman's autobiography had a lot on that theme.  His main beef, as I recall, was that Intelligence was nearly always wrong.

Sorry to miss the meeting, but I've long been a Suzy Bogguss fan.  I first saw her about 30 years ago when she opened here for The Statler Brothers.  She never made it up to the Rheba, Loretta, Patsy level, nationally, but she's persevered and I'm still a fan, have been to several of her appearances over the years, including one in Placitas (not Placates, damn you SpellChecker!) 3-4 years back. 

Until December!

Rob
__________________
Sorry to be missing the meeting but with the temperature about eighty and the surf breaking outside my doors I am surviving.

Bill Mauldin says at the start he is a cartoonist not a writer, and I agree.  The cartoons are great but most of the text was probably not necessary and not particularly amusing.  Therefore a B for the book, since I think we are judging the literature not the illustrations.
Dick Arms

Friday, October 30, 2015

The Old Man and the Bee


A collection of pre-93 curmudgeons gathered Last Thursday in the Strangers Room at the Cedar Crest Chapter of the Diogenes Club.   A plethora of hors d’oeuvres, including biscuits, royal jelly, and tea was consumed, and had its expected effect.  A discussion broke out on A Slight Trick of the Mind - the book by Mitch Cullin and the movie by Ian McKellen. The movie won.  Mycroft was not present, but others spoke up re the book:

Bob Simon:  I liked it – maybe a B in lieu of my usual A-.  I didn’t like it quite as well as others we have read.  A problem for me was the multi-content approach:  first on this plot, then that plot.  The author is a good writer, and in some parts I was engaged, other parts not engaged. B

Dick Arms:  I enjoyed this book – looking back, I was bothered with the three stories going back and forth.  From the standpoint of writing, his descriptive words are good, not so much the plot, which did not appear to be going somewhere.  B

Bob Woods:  I give it a B.  I was underwhelmed.  I grew up as a Sherlock Holmes fan, and this put me off.  I didn’t like it.  Laurie King has done very well with a Sherlock Holmes series, and comes off like Conan Doyle.  This book suffered by comparison.

Keith:  I found it discursive.  That’s an Ivy League term for rambling.  The three stories in a tapestry were not woven well.  Great gaps.  I submit anyone here could provide a better description of senility and make it more compelling.  B-

CharlieB.  I don’t have much to add.  It didn’t catch my fancy.  Too long – but the movie was wonderful!  Ian McKellen does a great job.  Interestingly, I also have read The Martian and have seen the movie, and there also the movie is better.

Tom G[in recommending movies, I suggest Sicario – on the Mexican drug trade.]  The book is about a senile old man – what is not to love?  I read it yesterday, so the interweaving of the plots didn’t bother me.  I didn’t care for the Japanese story – but he interwove them at the end.  Good writer, good description.  B-

Ron Bousek:  The interweaving of the plot lines is easier to do in a movie, harder in a book.  B for just some of the reasons as stated.  Not engaging, but some good parts.  B

Mike:  When an author chooses his characters from another work of fiction, he is twice judged.  Cullin should be exposed for pushing what appears to be his personal agenda:  Japan, the bad Americans dropping the bomb on same, and gay boys.  From the myriad letters Holmes receives every week, why would he accept an invitation from an unknown Japanese man and travel halfway around the world in 1947 at age 93, with no business class flights?   Just to visit a prickly ash?  Give me a break!  And then Umezaki’s brother is not really his brother but … oh, my!  But the saddest part for me was Keller’s claiming his wife was playing the armonica because he could hear the music – reminded me of the Tony Hillerman “mystery” where we were told the man must have drowned since they found his hat floating in the river – oh, brother!  I almost choked on my Jamaican!  C

Kenny G:  I actually thought some of the writing was excellent, but it got tedious.  Of the three stories, I liked the story of the kid, where Holmes used some of his detective skills to deduce how he died.  I didn’t like the story of the woman, Mrs. Keller.  Overall:  B

Jack Ferrell:  I would agree with Tom.  I did enjoy it, but disliked the Japanese story the most.  The only Sherlock Holmes story I have read before was Hound of the Baskervilles, which Ben Smith hosted, so my feelings were not pre-conceived.  I felt it had a tone of optimism.  B+

Rob Easterling:  I had a halo effect:  I read one-half, then saw the movie, then read the other half.  I liked his insights, thoughts, and behavior.  I liked the way the three stories interwove.  I haven’t read a lot of Sherlock Holmes, but I felt this character captured the essence.  I liked the way he wrapped up Watson and Mrs. Hudson.  Good read with insight.  A

And from well outside of Sussex:

I will not be in attendance at the next meeting of the book club--my wife and I will be in Hawaii.
I have read Mitch Cullin's A Slight Trick of the Mind.  This is the second book not written Arthur Conan Doyle that I have read where Holmes is a character in the novel.  There is an excellent series of 12 novels by Laurie R. King where a middle aged Holmes meets and marries a young American woman--he then trains her to be a detective--I have read 2 or 3 of them and enjoyed them very much. 
I thought the story in Cullin's book was extremely interesting--Holmes as a 93-year-old man who is losing many of his mental facilities (as are many of us)--he goes on an interesting trip to Japan and talks about his relationship with a young boy named Roger who shares his love for bees.  There is also an interesting story written by Holmes about his infatuation for a woman many years before.  The book is well written--I especially enjoyed the descriptions of nature.  
I wish I were going to be at the discussion--it should be a good one.
Grade: A-
     -  Dick "The Big Kahuna" Jensen